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The purpose behind this space is to share obscure, out of print or otherwise commercially unavailable music, video and other media from a period in time in which music history revisionists have written out or downplayed the contributions of so many great bands, fanzine writers and others. And to entertain myself.  I don't own any of the material posted, so if  it belongs to you and you do not want it up here, get in touch with me and I will take it down. A lot of the material I will end up posting has been downloaded from other blogs or received through trades and may or may not be available elsewhere. I am extremely grateful for all the great stuff I have discovered through other people's blogs and their effort to share but please do not spit your dummy out for not receiving credit for your "ripping the vinyl" or whatever.I really cannot be bothered to keep track of where I found things. Keep in mind you probably do not own the rights for the music either and it is all about bringing the music to a wider audience (in my case likely the 3 or 4 people who bother to read this blog). I hope everyone discovers something new or something they have been searching for. All the best.

Thursday, 9 January 2014


Reprinted from boredteenagers.co.uk :

In Autumn 1976 'Blitzkrieg Bop' by 'The Ramones' was the first Punk record to really grab 'Nick Name' and 'Phil Serious' (known officially as 'Nigel and Phil McHugh respectively). The 'Sex Pistols' hype machine also attracted the pair, but it was in April 1977 that the debut 'Clash' LP 'The Clash' hit 'Nick Name' like the FINAL SOLUTION. Suddenly everything made sense and everything seemed possible! 'SCHOOLGIRL BITCH' came out of this inspiration against a backdrop of adolescent depression and hopelessness. The name was coined by 'Phil Serious' after splitting with his girlfriend who at the time was still at school.

Through 1977, fuelled further by the 'Sex Pistols' Jubilee fiasco, the group, now a 3-piece completed by 'Kid Sick' on the drums, played at Youth Clubs and Rock Venues in the North West and even managed to get banned by Blackburn Council for a brief spell. They supported such acts as 'The Boys', '999', 'The Boomtown Rats' at the local venue 'The Loadstar'.

In late 1977, a record was cut in Manchester 'Chaos Studio', 'Phil Serious' worked in 'Mullards' Electrical shop, Blackburn to earn enough money for pressing the vinyl. The record 'Abusing the Rules' and 'Think For Yourself' eventually hit the streets around March 1978 by which time 'Phil Serious' had decided being an anti-hero wasn't for him!

'Nick Name', desperate to carry on, recruited 'non-musician' 'Nigel Talbot' from an ad' in the Lancashire 'Evening Telegraph'. Re-named 'Evil Doctor Talbot', partly because he looked like 'Sid Vicious'. 'Nick Name' taught him to play Bass lines from the single in two days. The band built up a set which began to sound more and more like a Punk version of 'Jimi Hendrix'.

In September 1978 after the bands last Northern gig supporting White Reggae band 'China Street', the 'Doctor' and 'Nick' went to try their luck in London leaving 'Kid Sick' behind. The 'Doctor' only managed to stay until Christmas before splitting back up North to Accrington. 'Nick Name' continued in London recruiting 'Griff Johnson' on Bass and 'Gabby Shearman' on Drums. They played gigs supporting 'The Thompson Twins' and 'The UK Subs' in and around London.

Becoming more and more disillusioned 'SCHOOLGIRL BITCH' finally split after being threatened with legal action over their name by the management of two bands, 'Girlschool' and 'Bitch'. That was the end. The SCHOOLGIRL BITCH had been out bitched.....their career ended in March 1979!!!

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